Wednesday, 26 July 2017

EbookCoverWelcome to the George Quaintance blog. Your hosts, John Waybright and Ken Furtado, are the authors of QUAINTANCE: The Short Life of an American Art Pioneer, the only complete, authoritative biography of Quaintance ever written. Our book fills a cultural, historical and academic void for this seminal 20th century artist. It is packed with photos and available as an ebook at Smashwords, for the low price of $12.99. We are excited to have exclusive access to hundreds of never-published photographs from Quaintance’s personal scrapbooks and family archives. Sadly, John passed away in May 2013, before seeing the book published. We hope you will use this site as a platform to exchange ideas, information and images related to this under-valued artist, as well as to learn more about him. Please send your email to


bobdel2Bob Delmonteque has died. He passed away on Thanksgiving Day, Nov. 24, 2011 in Los Angeles. His age was reported as 85, which is a small fib, because when Bob reached 85, he remained 85 for the rest of his life. For his website, (still online as of this writing), Bob wrote a brief bio in which he says he was born Nov. 9, 1919, which would have made him 92. His given name was Mike Diaks.

The online autobiography completely omits the part of Delmonteque's life that may be of greatest interest to readers here. After the end of WWII, Delmonteque became one of the great early male physique models. He was initially made famous by photographer Douglas of Detroit, whose photos of Delmonteque appeared in nearly every male fitness and physical culture magazine of the day — this at a time when frontal male nudity could land you in jail.


litho5abwThese final five lithographs were produced shortly before Quaintance's death. As a result, they were not heavily advertised nor were many sold, and they are quite difficult to find. Bacchant and Rodeo Victor were issued as a pair, and both images appeared on the covers of numerous magazines in the US and Europe. The size was 11x14 inches — the same as Baths of Ancient Rome and Spartan Soldiers Bathing — except the wide margins were omitted. The attached image shows an advertising insert Quaintance sent to his mail-order customers to announce this duo. (Pardon the seam on the color images, which I had to scan in two passes each.)


After posting the previous entry, I remembered a 2009 conversation I had with the nephew of Victor Garcia. I will call him Fermin, as he does not wish me to use his name. Victor was George's romantic partner long before the founding of the Quaintance Studio. After George and Victor ceased to be lovers, Victor remained George's business partner and principal studio photographer, and he co-inherited the Quaintance estate.

Fermin told me that, as a child, he and his sister and mother (Victor's sister, Josefina) would visit George and Victor in their New York City apartment. The painting Kanaka Fisherman was hanging over the mantelpiece, and Fermin and his sister would giggle at it and call it "the nakedy man."

The story of how I located Fermin, and what happened with the Quaintance estate after George's death, is told in the forthcoming biography.

3kanakafishermenA visitor to this blog recently wrote to ask me about an original Quaintance canvas he owns. He enclosed snapshots. Lo, it was Kanaka Fisherman, but it was a fisherman I have never seen.

Two other versions of Kanaka Fisherman are known. One of them bears a 1940 date and the vertical signature. In it, the man is throwing a net. This painting (center image in photo) belongs to a collector in Los Angeles and it was purchased directly from the Quaintance estate in the 1970s. The canvas orientation is horizontal.

mae west muralQuaintance was his own best promoter, and one of the things he promoted himself as was a muralist. But where are the murals?

There's one for sure: it hangs over the baptismal font at the Stanley, Virginia Baptist Church that his mother attended. Quaintance painted it at her request, with the blessings of the church, and it's there today for all to see. It depicts life-sized figures of John the Baptist holding the hand of Jesus and leading him into the River Jordan. Six male figures are prostrate on the shore, including an anomalous jungle boy wearing a tiny loincloth.

Quaintance was also said to have painted the mural adorning an entire wall of Mae West's boudoir, at her 7,500-square-foot Santa Monica beach house. The residence was considered to be an art deco masterpiece, but the mural was destroyed during remodeling after West sold the property. I have a poor, foreshortened snapshot of the mural. It does not appear to be the work of Quaintance.

femme-fatale-with-cigaretteQuaintance executed many drawings of women — mostly nudes — that were published as lithographs. The smoking woman, clearly a femme fatale, is seldom seen. I have only a photograph of it, so I cannot comment upon the dimensions, color or date. Quaintance's signature appears clearly in the center right, and "William A. Reynolds Jr." appears in ornamental script at the bottom.

morning-glory-flowers-at-nightMorning Glory and Flowers at Night are a pair, each with an image area of 12x15 printed on thick, almond-colored stock that is 15x16 inches. The sexual parts of the flowers emerge in a swirl and morph into a nude man and woman. The title of each image appears at the lower left and "Published and Copyrighted 1938 by Wm. A. Reynolds Jr., N.Y." appears in the lower right.

moon-flower-jungle-mornMoon Flower depicts a voluptuous female provocatively posed and surrounded by large flowers. The title appears in the margin at the lower left; at the right is "Published and Copyrighted 1939 by Wm. A. Reynolds Jr., N.Y." Quaintance's vertical signature appears at the right, below the model's knee. This is one of several different female nudes by Quaintance that bore the title Moon Flower. The 1950 painting, Gilda (not shown), was Quaintance's final variation on Moon Flower and the last female nude he ever painted.

hand-colored-lithographsJungle Morn is the companion piece to Moon Flower. The marginal inscriptions are identical (except for the title), right down to the typeface. Image dimensions for both are about 18x25 inches. I can't find a signature on this one. This photo, taken from one of Quaintance's scrapbooks, shows both, framed, hanging together. Quaintance had an affinity for cats. At least three of his works contain a tiger, another a leopard, and several have various housecats.

As with Reverie and Illusion (see part 1 of the Lithographs series), hand-tinted versions exist. I have only seen photos submitted by readers of this blog; the reader who claimed to own a hand-tinted Jungle Morn did not include a photo.

This article was updated on June 3, 2017.