Monday, 24 April 2017

EbookCoverWelcome to the George Quaintance blog. Your hosts, John Waybright and Ken Furtado, are the authors of QUAINTANCE: The Short Life of an American Art Pioneer, the only complete, authoritative biography of Quaintance ever written. Our book fills a cultural, historical and academic void for this seminal 20th century artist. It is packed with photos and available as an ebook at Smashwords, for the low price of $12.99. We are excited to have exclusive access to hundreds of never-published photographs from Quaintance’s personal scrapbooks and family archives. Sadly, John passed away in May 2013, before seeing the book published. We hope you will use this site as a platform to exchange ideas, information and images related to this under-valued artist, as well as to learn more about him. Please send your email to


1949 painting of Kanaka FishermanToday, June 3, 2015, is the 113th anniversary of the birth of George Quaintance, and I'm happy to have exciting news to mark the date. I have written before about the painting, Kanaka Fisherman, which is the only canvas Quaintance is known to have painted more than once. You can click here to read about the three fishermen.

For most Quaintance followers, the definitive fisherman is the one that was used in the studio's 8x10 black and white photos. Yet the only known canvas for many years (unseen by most of the world) was not that fisherman. In the painting, the model was positioned differently than in the photo and the net was very different. Not only that, but the canvas was horizontal. The studio photos had a vertical orientation. And if there was still any doubt as to the differences, the painting was dated 1940 and signed vertically, whereas the photo was dated 1949 and signed horizontally.

A second Kanaka Fisherman painting emerged at the end of 2011. Like the other, it was oriented horizontally and bore a date of 1940 and a vertical signature. The waves were very different, though, and the net nearly transparent. And this "new" painting showed the horizon in the distance.

ThumbelinaA few new things have come to my attention recently, and I will be talking about them in this posting and the next.

A correspondent in the Los Angeles area wrote to me in 2012 about a painting that was described in the email as follows:

"I have a George Quaintance painting of a female nude reclining on a leaf that has been in the family for many years. My stepmother was a dancer in Hollywood and for some reason, I believe that they might have known each other or worked together."


EbookCoverAfter ten years and dozens of publishers' rejections, the George Quaintance biography that John and I coauthored is available as an ebook. John passed away in 2013, and in 2014, I made a New Year's resolution to create an ebook version by year's end. I completely re-wrote every chapter, adding about 12,000 words to the original manuscript in the form of new information that we learned since first completing the bio. That task was completed, and this morning, the book became available. You can find it at, for the bargain price of $12.99. Please spread the word and give me your feedback. If you do not have an ebook reader, you can download and install Adobe Digital Editions  free on any computer platform. Go to

twokissesThese two items are from George Quaintance's scrapbooks. The image on the left appears to be a page from Coronet magazine, which began publishing in 1936. The image on the right appears to be a newspaper clipping. There is no explanatory information for either image, although Robert of Fifth Avenue was a department store that employed Quaintance in the 1930s.

So are we to assume that these two sculptures, both approximately life-sized and both titled The Kiss, are by Quaintance? For many years, I believed they were (even knowing that George might paste any image he liked into his scrapbooks).

youth.cupYou are looking at a very early work by George Quaintance that was probably painted before the artist left his native Virginia to attend art school in 1920. It was discovered earlier this year. The story follows.

George's mother, Ella Belle, remained emotionally and geographically close to her sister, Nannie Finter, throughout her life, even naming her daughter Nannie. Young Nannie died in 1920, and George's father died in 1945, so when George's mother died, years later, much of her estate passed to her sister. Her belongings included nearly every painting young George produced before he left home for art school, carefully preserved by his doting mother. Those paintings ended up in the Finter home — some in the attic or closets. Today they are carefully maintained by Nannie Finter's grand-daughter.

decoladyWhat becomes of an artist's legacy when there is no exhibition history, no clear estate, and no body of written work or other documentation to authenticate it? In the case of George Quaintance, it disturbs me to see so many paintings and drawings that are represented as his. It also disturbs me to see unsubstantiated claims presented as fact, such as the assertion that Quaintance and the female pin-up artist Quintana were the same person. To that I can add other inaccuracies: a recent auction in which the original canvas, Reverie, was given the title Apollo; and another auction in which a portrait of 1940s Los Angeles socialite, Mrs. Milton Stevens, was sold as being a portrait of Rita Hayworth (this was after I emailed the owner a titled photograph of the work taken directly from one of Quaintance's personal scrapbooks).