- Written by: Ken Furtado
I have written about this topic before (Exploiting the Quaintance Estate) and no doubt will do so again, because I see red at every new instance of some "entrepreneur" taking financial advantage of the work of George Quaintance. The exploitation usually takes one of two forms: the appropriation of images for use in commercial products that the artist never intended, which benefit the pirate, not the estate or the artist’s reputation; and the misrepresentation of works of art as being by Quaintance when in fact they are not.
I will talk more about misrepresentation at another time. Until then, here are some examples of misappropriated images that have appeared since I first wrote about this subject: sneakers, a tablecloth, t-shirts, a purse, shower curtains, and — get this — adhesive labels that can be affixed to your water bottle, lunch box or other chosen target.
- Written by: Ken Furtado
The Rev. Robert W. "Bob" Wood died Aug. 20, 2018 at his home in Concord, NH. He was 95 years old. His life warranted an obituary in the New York Times, as well as in many smaller magazines and newspapers. Here is a link to the Times obit.
His obituaries tell you that he was born in 1932 and served in the U.S. Army during WWII, was seriously wounded in Italy, and earned the Combat Infantry Badge, a Purple Heart, two battle stars and a Bronze Star for heroism in combat. After the war, Wood attended the Oberlin Graduate School of Theology and was ordained as a minister in 1951.
Throughout his life, Rev. Wood was active in, and supportive of, gay causes. He was one of the first clergymen to picket for gay rights (wearing his clergyman's collar, no less) and to call for churches to sanction gay marriage. He officiated at same-sex marriages before they were legal. A charter member of the Tucson, Arizona-based Grecian Guild, Wood wrote a column for that publication called "Spiritual Exercises," designed to encourage gay men to embrace a melding of mind, body and spirit.
- Written by: Ken Furtado
In 2005, an unusual painting appeared on eBay that surprised everyone who was familiar with the work of George Quaintance. It was a tiger, crouching to drink out of a pond bedecked with water lilies. The painting was signed at the lower right, using the squared letters and vertical orientation of Quaintance's earlier canvases, and dated 1940.
- Written by: Ken Furtado
Stephen Barclay was a handsome young man with long, thick and wavy blond hair who posed for at least six paintings by Quaintance, though you won't see his face or form in any of the iconic canvases.
He revealed his existence on Aug. 25, 1979, when he replied by letter to an advertisement in The Advocate. His personal stationery bore the custom crest shown here. Barclay, an interior designer, was living in Los Angeles at the time.
- Written by: Ken Furtado
I have written about George Quaintance's final, unfinished canvas: Odin Welcoming the Slain Heroes into Valhalla. It was featured on the cover of the Fall 1958 issue of Physique Pictorial.
The model for that canvas has a story that's compelling in its own right. His name was Dick Dubois. For most of the 1950s, you couldn't pick up a physique or bodybuilding magazine without him in it.
- Written by: Ken Furtado
I'd like to challenge the belief that the chalkware sculpture shown here was created by George Quaintance.
This much is indisputable: In 1936, Quaintance created three sets of male-female faces that were cast in hydro-stone and marketed and sold by The House of Shaw in New York City. They are The Kiss, Wind Blown, and Sea Breeze. He added a fourth set of separate faces in 1939, calling them We Modern. Collectively, he called them masques. There's a full-page publicity flyer in which they are pictured and described in detail. You can see that flyer here.
